Directed by the father and son team o f Sam  and Jason Pollard , Ol’ Dirty Bastard: A Tale Of Two Dirtys  aims to document the life and career of Russel Jones , known professionally as Ol’ Dirty Bastard of the Wu-Tang Clan . Using interviews, family home videos, and news footage, the Pollards document Jones’ humble beginnings and his rise to fame with the Wu-Tang Clan as his larger than life persona, Ol’ Dirty Bastard. Eventually the lines would blur between Russell’s real life and Ol’ Dirty Bastard and would lead to his death at only 35 years old.  The documentary starts from the beginning with ODB’s birth in Brownsville, Brooklyn to a father who was a huge music fan, and a mother who was a talented singer. Crime would push them out of the neighborhood in search of better for their family. They would end up in Linden Plaza, a relative oasis for them. This new environment allowed the family to thrive and laid the groundwork for the formation of the Wu-Tang Clan . GZA , RZA , and Old Dirty Bastard began experimenting with hip-hop expression and performed their first rap routines while hanging out at ODB's Linden Plaza home .   The majority of this story is told through interviews with Ol’ Dirty Bastards friends and family including Mariah Carey , Raekwon , Ghostface Killah , Iceline Jones   (Wife), Ramsey Jones   (Brother), RZA , William “Boot” Jones  (Father), Funkmaster Flex , Sophia Chang , Stretch Armstrong  and many more. It’s easily apparent the impact ODB had based on the multitude of people who show up in the film with fond memories of him. T his is the side of Dirty we encounter: the bright, intelligent, caring, and talented family man from Brooklyn. It ’s great watching this unfold, but Russel Jones’ life was also plagued with adversity before and after the initial success of Wu-Tang Clan. This is where we encounter the other side of Dirty, a man grappling with fame, mental health challenges, and drug addiction. His reliance on drugs and alcohol as a coping mechanism for newfound fame and responsibilities sent him into a downward spiral, leading to situations that took a toll on his physical and mental well-being. The documentary does not shy away from the dark aspects of Ol’ Dirty Bastard's life, and at times some of what’s witnessed and reported can be enough to move a viewer to tears.  Overall, I believe Sam and Jason Pollard, with the invaluable support of ODB's family, friends, and colleagues, have done a great job of getting under the surface of the outrageous, mythical version of Ol’ Dirty Bastard. Their documentary peels back the layers, and allows the human being to shine through the darkness that surrounded him. Directed: Sam & Jason Pollard Where To Watch: A&E Network , Rent and Buy on Digital Platforms (iTunes, Fandango) Released: August 25th, 2024 Words by Monk

Seattle’s Nacho Picasso and Portland’s Televangel have emerged with an exceptional Pacific Northwest Hip Hop collaborative album. Jesse’s Revenge is titled after and features artwork inspired by the cult classic blaxploitation film J.D.’s Revenge . The film   tells the tale of a notorious New Orleans gangster who is murdered by police. His spirit is given an opportunity to rest and revenge decades later when a chance encounter allows him to possess the mind and body of a college student. The story serves as a loose blueprint for Nacho Picasso and Televangel to build this album around, with Jesse Robinson AKA Nacho Picasso putting himself in J.D.'s place during the project. Nacho Picasso is operating as an MC at peak levels on Jesse’s Revenge. Someone who has spent years working at their craft and perfecting it is one thing, but there’s an extra gear when they manage to perfect their version of the craft, their style. Nacho Picasso’s delivery is laid back and nimble, he manages to infuse much depth and meaning into his irreverent rhymes without jamming in a ton of words and syllables. The hooks are infections and the imagery is vivid as he draws you into his darkly humorous observations and self reflection. His comical vibe is on full display on  “Mazzy Star,” : “Pimps used to wear gators now they wear Crocs, I wish white kids would go back to Birkenstocks / So I can get some fucking Jordans while they still in stock / Don’t mean to shit on Birkenstocks, they was cool with socks” By combining infectious rhyme schemes and even some singing, Nacho manages to make Jesse’s Revenge  engaging through the entire 14 songs. Televangel is the other star on this project. The Portland producer has been building a significant body of work by entirely producing projects for the likes of Milc , AJ Suede , and Child Actor . What he's done for Jesse’s Revenge  puts it among the best produced albums of 2024. Again, there are 14 songs on here and nothing sounds the same, but they all feel like they belong together. It’s a soulful, funky, smoked out vibe, that engulfs the listener with a layer of warmth, comfort, and confidence like your favorite jacket. On “Do It For Johnny,” Televangel’s magic is on full display. A soulful sample, xylophone, trumpets, and a muddy baseline all combine on one of the album’s strongest offerings, and that’s just song number two. All the tracks are equally layered and expressive. This is a project you’ll be compelled to play all the way through every time you listen to it, it sounds that good! Jesse’s Revenge  is a standout effort for 2024 check it out and make sure you put Nacho Picasso and Televangel on your radar going forward! Standout tracks include: "Do It For Johnny," "Still Ballin’," "The Old Nacho," "I Can Still Smoke," and "Ryuichi Sakamoto." "Still Ballin'" (IG Exclusive Visual) Released: July 12, 2024 Word by Monk

These six albums offer a diverse exploration of contemporary hip-hop and rap, showcasing the artists' ability to blend genres, experiment with sound, and address important social and political issues. From the genre-bending fusion of punk and hip-hop in 3SVS8S  to the stimulating lyricism and production of Foundational Stones , these projects delve into themes of identity, experience, and cultural references. Pyrex Housecat  explores gender identity and societal expectations, while Nigo With The Skully pays homage to the iconic fashion designer Nigo. Demos & Memos  offers a collaborative effort from various Atlanta-based artists, showcasing the collective's unique sound and community-focused approach. COWBOY KALEEO'S BOPS  blends hip-hop with a retro aesthetic, inspired by the anime series Cowboy Bebop . Each album demonstrates the versatility and innovation within the genre, offering a rich tapestry of sound and storytelling. 3SVS8S  by TARREESA x SIOUXXXAN  x HXXS “Givin’ life back shots.” 3SVS8S  by TERRESSA , SIOUXXXAN , and HXXS , a trio out of Wichita, KS artists affiliated with the label/collective, “THE COOKIE STORE,” delivers a refreshing blend of Punk and Hip Hop / Rap. Produced by HXXS , the EP defies current trends while maintaining a rhythmic pulse. The artists utilize bass and a variety of textures to revitalize and create a moment of authentic energy. Their unique approach, fusing Punk influences into a Hip Hop / Rap art form, results in an exciting and innovative sound. As a listener new to these artists, 3SVS8S offers a captivating experience with fresh perspective and a distinctive style. Foundation Stones  by Shane, the Shaman x Skip The Kid “The formula they distribute to us ain’t the 1.” Foundational Stones ,  a collaborative project between New York artist Shane, the Shaman  and Pennsylvania producer Skip The Kid ,  is a deeply soulful exploration of lyricism and production. Skip The Kid's masterful beats provide a rich foundation for Shane's insightful and energetic verses. In the track "Say What's Real" featuring Party G The Humble , Shane pays homage to Memphis artist GloRilla's hit "Tomorrow," incorporating a line from the song into his own lyrics. This unexpected reference highlights Shane's ability to bridge the gap between traditional and contemporary hip-hop. His music, with its boom-bap influence, energetic delivery, and insightful content, embodies the essence of the genre as described by KRS-One: "For some of us Hip Hop is simply our interaction with God." Pyrex Housecat  by CENSORED dialogue “I’m a chick with a dick, I ain’t ashamed of that shit / but if society make it a problem then I’ll go tote me a stick!” Pyrex Housecat ,  the sophomore album from Oklahoma/Texas artist CENSORED dialogue , is an alluring exploration of gender theory, sexuality, and contemporary and historical politics, wrapped in a chaotic yet smooth and soothing Hip Hop/Rap form. The album's cover design, featuring a foot on a face in the grass with a few lavender braids, immediately draws the listener in. The production, delivery, and lyrics showcase a clear punk influence, while CENSORED dialogue' s freeing expression reveals their experiences as a trans woman. Pyrex Housecat, delves deep into the expectations placed on trans women to be hyper-feminine and the importance of the artist's sobriety and dedication to their craft. This incisive project inspired me to revisit José Muñoz's , Disidentifications . Nigo With The Skully   by Curbside Jones “Ape shall never kill ape.” Nigo With The Skully pays homage to the iconic fashion designer Nigo and his brand, BAPE . The EP features a memorable production landscape, with contributions from Flat Stanley , DooF , and Phill Blanks . The diverse sound is further enhanced by collaborations with Estee Nac k , HPBLK , Squad Words , and DAN . The cover art, designed by Najee Whitehead and Curbside Jones , showcases Nigo in his signature streetwear attire, including a brown skully with a yellow BAPE symbol , a pink cloud camo background, a green cloud camo hoodie , and green Bape shoes. The EP's lyrical content touches on themes of community and building, referencing the "ape shall never kill ape" mantra from the Planet of the Apes  series. While the lyrics may not explicitly address these themes, the underlying message of unity and cooperation is a notable aspect of the EP. Demos & Memos  by Nu'Bn “...this collection is not merely a set of loosies, but a curated journey through the collective’s rich tapestry of sound.” The Atlanta-based label and collective, Swiss Army Records , returns with their compilation LP, Demos & Memos . Curated by Promise , the 13-track collection features contributions from Akete , ariesfoolmoon , freespottie , Chebba , and ill Kalil , who provide the verses, hooks, hymns, production, mixing, writing, and more. This is truly an auditory treat. The production and energy that emanates from Demos & Memos bring peace and reassurance that this quality art is very much worthy of intake and celebration. Personally, I enjoyed not having to be overly conscious of the lyrics because it's obvious they're not on a destructive path but more so on a community-creating and illuminating journey. The compilation's ability to transport you from your mind to your body is a testament to its power and beauty. COWBOY KALEEO’S BOPS  by Kaleo Jacobs “I get everything I dream, I’m in touch with the callin’.” COWBOY KALEEO'S BOPS is an intriguing EP, marking the artist's second release of 2024. Inspired by the iconic anime series, Cowboy Bebop , the EP's title, artwork, and overall aesthetic pay homage to the beloved show. The EP's production is introspective and thought-provoking, offering a listening experience akin to viewing fine art in a museum. It blends elements of strength and delicacy, creating a retro yet contemporary feel that is likely a result of its creation in the present day. Track titles like "Jupiter Jazz" and "Waltz for Venus" further emphasize the EP's cosmic theme. Undeniably, Massachusetts boasts a distinctive and expansive Hip Hop scene, and Kaleo Jacobs ' latest release is a testament to its rich contemporary creations. ADDITIONAL RECS: Amygdala  by Passport Rav, Rob Viktum Veena LP   by Heems Woke Up Pretty Trill  by Sammy Saintclair No Time to Wait, I Gotta Ball  by Wave Parker  x  Dr. Johnny Fever It’s Five O’Clock Somewhere  by Mickey Diamond The Recipe  by Chef G Cole x RJMrLA Icarus   by Khary x Abhi The Nomad Don’t Panic   by Chap D Zootieee Wrld   by El Snappo Super Villain Origin Story   by King Hendrick$ Veryest  by Quadie Diesel Cut Your Teeth  by Free Party RELAY by Jack Vinoy Rillest in the Room 2  by Bless Picasso MR. ALKALINE  by Heavy Crownz Imports  by Khalisol x Dvme Part Time Rapper Full Time Gangsta  by Big Txp Trust The Chain II  by Planet Asia PLEA$E DON'T THINK I'M ACTIN FUNNY  by BUB ROCK The Reaper  by EBK Jaaybo For access to the document with 120+ LP / EP / mixtapes and demos inquire via email: crownthement@gmail.com

CROWNTHEM ENT. x Swiss Army Radio x Lord RA Feel free to talk as long or as short as you want about all of it. Just feel free. So the first question I have for you is - who is LORD RA? LORD RA - at this section of my life, I'm a 23 year old artist, rapper, painter and Phoenician. You know what I'm saying... live from Arizona. And I live to make music. That's my whole thing. What's that hip hop scene like out in Phoenix? Phoenix has a very thriving and diverse hip hop scene. And over the last, I would say like five years, we've been getting a lot more attention, which has been nice. Because there's like a lot of talented folks and a lot of different sounds coming up out of the city. Excited to see that blossom. How often are you performing down there? I perform pretty often—I would say, like, three times a month. I try not to do too much over that. And I like to space it out a little bit, too. So, if I'm not necessarily dropping, like in the next three months, then I probably won't be outside performing too much either. much either. Are they like open mics? Or are they artist showcases? What is it that you're performing at? So it's a lot of homegrown events. We just started getting a lot of spaces pretty recently in the city where I would say music in particular, like that part of the art scene, (especially hip hop) is being able to be showcased fully by itself. The scene kind of started off with incorporating hip-hop and rock nights, to the point where I mainly do a lot of shows at record shops. There's a record shop not too far from me called Grand Ave Records , right there off of Grand Avenue. And the shop owner, Coco, he's had like years in this game, so he's very supportive of the young guys out here. Let us hold our own showcases. That's really cool. In terms of Phoenix Hip Hop, who were the generations before you? Who were those notable Phoenix rappers? Like the older folks? I can't think of anybody notable, and I don't want that to come off as crazy at all. Like Phoenix as a scene as a whole is like made up of a lot of younger folks that are kind of getting it together and finally starting to get the name out there a bit. But you know how that goes... it's just that local politics can be very stagnating for a couple of generations before people finally realize we need a whole community to make it work. And it always takes the younger generation to really make that happen.  Right. So, what type of cities do you feel like y'all look to for reference? Being from Phoenix, who are some artists? Like, what cities do you look to for inspiration? I don't know if I can speak for the rest of the city. I would definitely - but I can say fairly that there is a big L.A. influence just because of proximity and people's histories. If you ask a lot of people, their grandparents aren't directly from Arizona. Even if they lived here their whole life. A lot of people's folks be from Southern California. So all those different things will be baked into people's styles. I got you - you can kind of hear the migration patterns in a way. Yeah, yeah, that's the perfect way to put it. Yeah, that's pretty cool. I think we've been following each other for a while on social media, but this was like my first time really tapping in with some of your work, but I saw it off of, I want to say it was because of Gorgeous Jefe .  Ayyy, that's my boy! He's based out there with you? Yeah, we make a lot of music together actually. Okay, that's a good connection to make in my mind.  So  in your crew, the people that you hang around—that's building up this Phoenix scene—who are some names that you would put out there? I'll just say before, I will miss some, but I'm going to try to give as many as I can. Yeah, first and foremost, Gorgeous Jefe  - we got my boy, Paymedro , my homie Yasuke . There's Unorthodox , Trulove , 602 Profit . Sheesh, like I can go all day! I know you said I can talk as long as possible, but I'm like, damn, this would be a crazy list. Yeah, Phoenix is just full of talent. I definitely hang around with a handful of incredible dudes. But like, even outside of us. There's just, there's just so many people, you know, I come down to miss names. Are you born and raised in Phoenix? Mhm, my whole life - all 23 years. I remember when you sent the project over to me, you mentioned something like, "It's where Africa meets America" type thing. What is the significance of AKATA  to you? So,  AKATA   itself is like an African slang term for Black Americans, pretty much like a version of, I guess, Coon, to a certain degree. It roughly translates to a black cat who's lost his home. And it's a phrase I've heard a handful of times. I'm not just being in a community with, like, African people directly from the continent of Africa. And I thought it'd be a perfect way to encapsulate my thoughts on being a black American. Like, with that title, you know, because I view everything I do through that lens. I never forgot my history. As a black man, I do know who I am. So I also understand that I'm very American. So I just want to speak on a lot of things dealt with as far as identity, and AKATA  just felt like the right way to like the right summary for all those thoughts, you know. . I thought it was a very creative title. Extremely creative because it puts you... a lot of people I don't feel like know that term. You know what I'm saying? Unless they are in close relationships with African folks who use that term, But it holds so much history, you know, what I'm saying it holds stories and holds like lineages and like spirituality, all these different things in this one word, you know what I'm saying? Even the fact of having like the Black Panther and what that means for Black Americans versus Africans, you know... Exactly, yo. I'm glad you picked up on that. So, I just think it was a really cool and creative fusion of things. There's a lot that can be said for it. Yeah, everything that you just said. So, how did you know it was complete?  I think when I was the most nervous about what I had, like when I couldn't make any more songs that made sense for it. And then, when I was scared to put it out, I was like, alright, this might just be that time . I physically could not make anything that sounded like it fit on there. Like after a while. I was like, Alright, basically I got forced.  I got forced by the other side of my brain. What do you mean? Oh, okay, like internally. Yeah, that internal battle. Like, is it good enough? Because it's always gonna be good enough for me. But there's like a like, social anxiety part of releasing into the world. I can imagine. How has it been received by your fans and supporters and peers? It's been beautiful. Every project is my baby, and they are taking care of my baby out there. People are giving me really good notes on the project. And it has actually just been a really relaxing time. I'm not saying reviews on my last few projects haven't been positive. It's been so overwhelmingly positive this time around. I can actually, like, relax into it. I love to hear that. That's not always a thing for everybody. So that's good. You are really at peace with the project, you really put what you had to put into it.  Everything was said. Yeah, everything. And it was like, I love the melodies that you played with as well. And they're, you know, they're familiar, but they're still yours.  Oh, thank you, yeah. Where did your production for the project come from? So this one I produced all by myself, which is, like the third or fourth project, I've got to put out with all my production. And even that, like even just rapping among beats, is my trust in myself. Like that was like a whole different battle. But, but yeah, and I'm really proud of just where I've come with those beats. Because I mean, I made AKATA  last year like the top of last year. So my beats are sounding totally different. The mixes sound totally different at this point. Honestly, the way AKATA  is being received makes me super excited for the next few projects I have coming. That's beautiful. So when you were making this project, AKATA , what came first? Like, did you just like to lay out a soundscape? Like, were the beats that you chose specific for AKATA ? Were there things that you had made, and they just seemed to work well? Like, how was that? I like the backwards working philosophy that I kind of picked up from Earl Sweatshirt . Like in an old interview, he states he'll basically start with the outward aesthetic, or even like a word or just having a cover art to look at. And I always knew the AKATA cover art was going to look something like that or just evoke that whole idea of, you know, saying AKATA is essentially just another word for Black American and to think about all the great black Americans that fought for African ideals. It usually starts like that, like I have like a weird ass thought about something that's like bugging me, and then I'll just turn it into like eight songs. It was like a whole little memoir. But essentially, everything started backwards, and then I just started making beats, and then I finished all the lyrics and recorded them. Wow, that's very... it seems it doesn't even seem like you could really even plan it. It just kind of happens how it does.  Right! I love very deeply how it kind of just floated all together. I don't like forcing anything when it comes down to art. I can imagine, you mentioned Earl Sweatshirt, where else do you draw inspiration from? Who else? I will really say my friends and family because a lot of my subject matter—my songs—is a big part of it. It's just like things my grandmother has imparted on me—not even necessarily like the people that they showed me, but even just sharing those experiences. My grandmother used to work at the hospital, so I would just sit in the hospital after she had picked me up from school and wait for her to get off shift. And then we would drive home to smooth jazz and stuff like that. It was like I said, like you said, you can kind of hear the migration patterns, but I guess more so, you can hear the life experiences and how I choose to attack certain things or speak about certain things. Being raised with a certain level of loving care, that's definitely what I pull from. I love that. What type of music do you listen to? I guess, like, what type of art do you engage with? I know you mentioned that you're a painter as well. Anything I get my hands on, for real. I have put painting to the side over the last year just because I've been going crazy. I was putting together AKATA and another joint me and Jefe had, Kufi Conversations , so I kind of put painting down, but I'm looking at my wall right now. I have so many rugs hung up here, I got paintings, my studio is set up. You know what I'm sayin'. I want to do it all. I want to direct as well. That's also what I had questions about. I know you recently put out two videos for "Fly"  and "Theme Music."  Like, did you write them? Was that your idea? How have those come about? So, I can never take all the credit, I can always give credit. My boys are here; they go by Outpost Village . But they're like this group of young artists in their own right. But they do videography; they also rap. So getting with them, it's like, it's very easy to work with all of them, from Roy to Steph to Arthur, like all of them  - I love those boys. But they're so creative in their own way, I could literally be like, here's a white wall, and here's the setup. And they'll have a whole idea for it, and they’ll break it down and figure out how we can make this the most interesting video as possible. I definitely co-directed on those, for sure. How'd you feel about how they came out? I love how they came out! The whole time I've been making music, these are some of the best videos I've had. I've really enjoyed them as well because, you know, it's aesthetic for me. You can tell you're an independent underground artist, right? But it's still like, but we're still gonna give our best; you know, we're still putting our best foot forward, and we're still creative with it. We're still artists, you know, we're independent. That is definitely what I've received from it, because it's like, there are people who have so many resources to be able to create what they want. And they would try to get the aesthetic that y'all were able to capture, you know, whereas, like, you didn't have to have all that. So, the "FLY" video was on the same block as Grand Ave Records .  And the reason I chose that spot was through life experience. Like just walking to Grand Ave's under that bridge, and I will, I always wanted to shoot something under there because it has a certain feel and look. I hope to never lose that because, like you say, that's not something you can just replicate by thinking something is cool. I think we're art with anything, like if you want things to have a certain aesthetic, there needs to be an intention and everything. For example, there's nothing in the book that gets mentioned, no matter how minor or major, that's in there for no reason. Every little detail, from my cat looking out the window to the color of a car passing by the main character, is going to have some significance. I wanted to attack the same way with the videos and stuff like that. That's so true. And what would you say? I know you mentioned  AKATA  was kind of just a thought that you had to attack, but with attacking that thought, like, what was your intention? With the project? I guess I wanted people to understand that part of me some more. Because to be Black in America is to be misunderstood to some degree. Living life as a black person can kind of feel like a dark comedy, you know, like it can get so bad it is almost hilarious sometimes. And I just find it interesting. And like, I would like to think like people looking back on his project and like the next 10, 15, 20, right, however long from now, can kind of pick up on some of the humor that's in there. Some of the sorrows that are in there. And like, understand this was a Black man and encapsulated in this time, you know, because we're all modern to each other right now. But, I mean, I like to think in my future tenses, like with things like that. Obsession over weird thoughts. Stuff I don't want people to forget about. Yeah. And it's like, to me, it's a very special story that you're telling, because how many stories do we have about Black men out of Phoenix? You know what I'm saying? I grew up on the West Coast as well. I'm based in Memphis right now. But I grew up in Washington State. And, yeah, as far as I know, the demographics that we both grew up around are similar. I know, there are a lot of Latino folks, a lot of Native folks, some white folks—you know what I'm saying, of course, and you know, we're a minority in a way, especially on the West Coast, I feel like, but moving down South, it's a whole different story. But I just feel like there are certain stories and influences from the West, being a Black person from the West, you know? There are certain things that other folks—other Black folk—don't necessarily understand because they are not from the same geographical region, you know. And so I think that that adds even more importance to what you're doing as well. Yeah, I think that you're putting a lot of paint where it ain't right now. That's the whole mission. Like, I say I know, I ain't the only one. So to be able to, like, give Phoenix something to be proud of, and rally around is always gonna be my goal, because, like, sometimes people do need to take a walk in my life. Because sometimes people just need a quick kick in the ass—like, hey, you're allowed to do cool shit. Just because they don't think we're necessarily cool. You could still do cool things and do it your way. Were there particular moments when making  AKATA that made you proud? Where you were like, yeah, I'm aligned, I'm on the right track, were there particular moments within creation? I think it was... actually it was "Eazy Chair (For My Elders),"  the last track on a project. And I finished that second verse just, it felt so perfect, because the last two lines on there, like fully encapsulate, not just the meaning of that song, but like, just in general, the whole... ultimately, what I was going for. I'm Black American, and I'm proud of who I am. And I love Black people worldwide. Simple as that. I like how concisely I did it. I feel like it all just came together perfectly. I am very proud of that project as a whole. I would be, too. Were there any moments that challenged where you were at with it? Just kind of like what I was talking about in the beginning, towards the end, when I was realizing that I was done. It was like a couple of weeks straight. I just kept trying to make beats and like songs sort of project, and I was like, maybe it doesn't need it . The last one I made for the project and the newest one was "SLUR,"  which is the opening track. And the whole intention was that I kind of wanted to sound like a radio freestyle and intro to some degree, like Premo made the beat or something. It's kind of sporadic and loud and has a bunch of cuts, drops, and shit. But I feel like that's America in general. It is very sporadic and chaotic and loud and shit. A mosaic of such. I like that! Okay, will you have anything else you want to add or say about your project—what you got coming next, where people can find you? Yeah, yeah. So, you know, shoutout 602, 'til I die - Phoenix stand up. AKATA, that mothafucka is out everywhere you listen to music. It might be on Hulk Share at this point, I don't know. Everyone can find me on all my social medias under OldManRa on Twitter is gonna be an underscore ( @oldman_ra ). And then on Instagram, there'll be a period ( @oldman.ra ). So, OLDMANRA. OLDMANRA. Yeah, I can't, I can't say too much. But I will say there's another HALAL BOYS  project coming very soon. It will possibly be out by the time the interview is out. But either way, I'm excited for that work. And that's the one I feel comfortable talking about. ALL PHOTOS BY EDWIN / Ninety8Views AKATA: https://linktr.ee/good_lord?lt_utm_source=lt_share_link#366094978 Black Blues Brothers: https://lordramusic.bandcamp.com/album/black-blues-brothers Kufi Conversations: https://jefesgoods.bandcamp.com/album/kufi-conversations INNERVIEW, EDITS + LAYOUT BY JAMEKA Originally aired via SWISS ARMY RADIO [04.26.2024]

WEEKLY RECOMMENDED RELEASE RADAR FOR HIP HOP / RAP MUSIC. Send an email to crownthement@gmail.com  to inquire access to 100s of releases cataloged each week (not featured on this page.)  Connect on other platforms with CROWNTHEM ENT.   https://linktr.ee/CrownThem JUNE 30TH, 2024 Welcome back! Below you'll find the final visual playlist and recommended releases for Q2 / first half of 2024. As always — WV - 040  - visual playlist that hosts 60 new music videos, cyphers ( there’s a really good one based out of Nashville ,) beating making sessions, etc. from the contemporary Hip Hop / Rap realms. FT’D: Scottie Le’Jour, Daylan Gideon x BassRob, 100GrandRoyce x Dame Grease, pat junior, WIL$ON, FORRESTT, Sham1016 x Mark Lux, Nuke Franklin, ZooDeVille, Campana x A’sean x Dave Shanae, Nick Grant, Robb Bank$, Sideshow, Stalley, LOS KEMET, Joey Fatts, Rapsody x Baby Tate, Lupe Fiasco + many others. QUARRY 001  - all the gems found while mining for contemporary Hip Hop / Rap  - a mix of 30 songs from the independent 'n underground. RECOMMENDED RELEASES: Last Laugh: The Prelude by Le$, Dj Mr Rogers | Houston, TX Strapped by UFO Fev x Fredro Starr | Harlem, NY MARY MACK by BVNGS | NY Waking Up & Choosing Violence by YUNGMORPHEUS, Alexander Spit | Los Angeles, CA Across The Tracks by Boldy James x Conductor Williams | Detroit, MI SOLACE by MARCO PLUS | Atlanta, GA Dichotomy by pHoenix Pagliacci | Toronto, ON Cyberpunk Rhapsody by Noveliss, Hir-O | Detroit, MI In Loving Memory by Don Trip x Pif | Memphis, TN Forgotten Chvpter by J. Arrr x Greeneryy | Wilson, NC 4 Different Wrays by Wray | Los Angeles, CA The Fly Griot by Slank | Louisville, KY The Sun Don’t Chill by K.J. | Atlanta, GA The Exodus by Jay Exodus | Buffalo, NY Poetry & Motion 2 by Panamera P | Chicago, IL Jacinto’s Praying Mantis by Vinnie Paz | Italy / PA Bay Bay Kids by Ricky Davaine x DXPE | Memphis,TN We Got Food At The House by Fred E.T. | Atlanta, GA VINTAGE NOSTALGIA by Malik Elijah | Boston, MA / MD SANCTIONED VOL. 1 by PRICE x Kota the Friend | Los Angeles, CA DAWG 2 by Young Flexico | Richmond, VA Saucefather 2 by Sauce Walka | Houston, TX Service Merchandise by Previous Industries | Los Angeles, CA the people we became by nobigdyl. | Mufreesboro, TN .WAV GAWD by Eyeree | Costa Mesa, CA JUNE 23RD, 2024 Back again with some new music videos and recommended projects from last week! WV - 039 , hosts 32 music videos, live performances and etc from the likes of: KANE!, Mvsua x Bluntana, Dom Mooney x Stix, Fred E.T., Big Jade, Osbe Chill, UFO Fev x Fredro Starr, MAVI, Draft Day, DaBoii, Juelz Santana x Jadakiss + more. QUARRY 001 - all the gems found while mining for contemporary Hip Hop / Rap - a mix of 30 songs from the independent 'n underground. Some of the tracks are from 2018 and some from 2 weeks ago. Most of the tracks (originally) were only found on Bandcamp or artist sites. The idea is to highlight the great music that isn't necessarily found on major streaming sites that has been in recent/current rotation. RECOMMENDED RELEASES: Stifled Creativity  by Da Beatminerz | Bushwick, NY Break The Stereo   by Muja x Dub Sonata | New York, NY Unsexy   by Michael Christmas | Boston, MA HELL OF A LIFE   by LOOK DAMIEN! | Washington D.C. Jimbo’s World  by Dun Dealy x Chef Bogey | Boston, MA Medium Raw  by Maze Overlay x Observe Since 98 | Phoenix, AZ SKIP 2 MY LOOT   by SWANKS | Tacoma, WA Diary of a Hustler  by K Carbon | Memphis, TN JUKE IV: FLU GAME  by Roy Kinsey x Theisy | Chicago, IL No Gus No Glory III  by G4 | New Orleans, LA Yellow Tape Road  by Nyck Caution | Brooklyn, NY Soul Cycle  by pushsoul | Brooklyn, NY / CA JustDueRight  by TrigNO | Columbus, OH Wolves in The Woodz  by Wulf Morpheus | Atlanta, GA montisona   by chester watson x elaquent | St. Louis, MO the PHaRoaOh’S return 2: NUBIA  by CJ Fly x NasteeLuvzYou | Brooklyn, NY Shot Clock EP  by Kail Problems x Marley B. x DJ Hoppa | Los Angeles, CA COCOTASO  by LIFEOFTHOM  x Stoic | Washington Heights, NY Beats To Skate To, Vol. 3   by Cultura | All Over The World BEGINNING OF 4EVER   by Six One Tribe | Nashville, TN Expensive Cloth  by Kaleo Jacobs | Lynn, MA ZING-DAYA  by BoriRock x Whoa1.0 | Boston, MA $ide Bet$: Play #1  by All Hail Y.T. x Swab | DE In The Field  by Pr0fit Diner0 | The Bronx, NY 100 Sources of Income   by Berner x DRODi | San Francisco, CA / Houston, TX JUNE 16TH, 2024 Better late than never! My apologies, last week was quite hectic and I had to take a little more time than usual to sit with the music. As always — WV - 038 , ft’ing Lord Ra, Ron Obasi, Jamaar Milton x Sol Messiah, AHMIR, KiiDWithTheCam x boredom., DNTWATCHTV, ZooDeVille., Coyote, Dun Dealy x Chef Bogey, Gritfall, donSMITH, Shadow The Great,  JNX, Wakai, Daniel Son x Futurewave, Michael Prince, Bishop Snow x DBOY 223, Mach-Hommy x Conductor Williams, JasonMartin x DJ Quik x Meet The Whoop s + many more! Additionally, after sifting through 120+ releases from last week I’ve highlighted 25 below. RECOMMENDED RELEASES: CHUPACABRA by DJ Quik x JasonMartin x Problem | Los Angeles, CA The Aloof Icon by SH4MEL x Cedar Law$ | MA Enigma With An Attitude by Ty Farris | Detroit, MI Off Top Volume 8 by Top Shelf Premium | NY FATHER$ FEATURES (The DAD TAPE) by Coke Bumaye | Jackson, MS Final B.O.S (The Chronicle of Lil Jimi) by Chris Crack | Chicago, IL an APPLE a day by Donte Thomas | Portland, OR Max 'Pagne Goes To New York by Reaper Mook | Long Beach, CA The Hood Meets The Ocean by Astral Trap | WA Survival à la Mode by Old Grape God | Portland, OR i think i might be happy, pt. 2 by Robb Bank$ | FL High Tides by Jordan Webb | Nashville, TN VIGNETTES VOL. 4 by Alexander Spit | Los Angeles, CA All Said And Done (A.S.A.D.) by Asad III x Burnin’ Giraph | Los Angeles, CA People Like Me by Daisha McBride | Nashville, TN Revenge of the Time by Sozi | New Orleans, LA Project Summer by Joel Q | Chicago, IL all these crying birds by deem spencer | Queens, NY F.U.N. T.O.Y. by Sideshow | Los Angeles, CA Cake EP by Jovanni | Wichita, KS MORE SUEDE (BS2.5) by IAMGAWD x Clypto | Chicago, IL More To The Story by Tennishu | Richmond, VA We’ll Be Home Soon by Dom Mooney x Stix | Dallas, TX BLACC KENZOU by Da Flyy Hooligan x Malek Winter | UK The Expanse by maticulous | NY NEWSLETTER: https://shoutout.wix.com/so/95P0ib1pA?languageTag=en JUNE 8TH, 2024 Peace ‘n welcome back! The first release week of June ‘24 was far from disappointing. WV - 037 , hosts 50 music videos from the last couple weeks – ft’ing artists from the likes of: Tully C, Blake Anthony, KeMarilyn Chanel, NFO Cyphers x Chicago, Lord Juco, O Dawg, Mark Lux, weSSmont SSkeme, Starz Coleman, Slim Guerilla, Pretty Savage, Tafia, Robb BAnk$ x SpaceGhostPurrp  + many others. ALSO… here’s a visual playlist from “A Night In The Garden”  w/ performance footage of Memphis artists Bishop Osei, Dero + DXPE . As always, here are 25 highlighted projects out of the 120+ cataloged this week. RECOMMENDED RELEASES: Let Me Talk My Sh*t Too   by Asun Eastwood x Wizdome Bunitall  | Toronto, ON Abandoned Saints  by Spanish Ran  | The Bronx, NY OVERWORKED, UNDERPAID!  by donSMITH | Harlem, NY second hand crack smoke  by Qu’ality  | New York, NY Forever On That  by Rucci  | Los Angeles, CA THE YELLOW GUARD MXNIF3ST0   by marrice anthony x Michal Blvck  | Wichita, KS Rich II  by Homeboy Sandman  | Brooklyn, NY ILL LIFE GEMS   by Smoke Bonito x Nightwalker  | Chicago, IL STOP SMOKING REGGIE.  by BlkSknn x OldMilk  | Seattle, WA Sleight of Hand  by Mondo Slade  | Cleveland, OH MINI MART   by Slick Devious  | Portland, OR Safe Travels 2  by Monroe Flow  | Atlanta, GA PARDON MY SLEEZE  by Willyynova  | Chicago, IL SHERM$MOKE  by BLOOD $MOKE BODY x SHERMAN  | Minneapolis, MN Emocean  by Jaywop  | Tacoma, WA EMPOWERTRIP   by QThree x groundskeepr  | Philadelphia, PA Nobody Planning To Leave   by Curly Castro x PremRock x Controller 7  | New York, NY Stuck In A Loop   by Dreego  | Antioch, CA RORSCHACH GRIM   by Grim Moses  | Phoenix, AZ VOICES IN MY HEAD  by Illien Rosewell  | Norfolk, VA Contracts   by Lord Khalil x SINBAD x Cudimitsu  | Long Beach, CA HOME   by Danny Ali | San Francisco, CA Diary of a Bored KiiD . by KiiD Wit The Cam x boredom.  | Atlanta, GA Open Letters  by VJ  | CA Sounds of the Ghetto 2  by Kie4real  | Oakland, CA

WEEKLY RECOMMENDED RELEASE RADAR FOR HIP HOP / RAP MUSIC. Send an email to crownthement@gmail.com to inquire access to 100s of releases cataloged each week (not featured on this page.) Connect on other platforms with CROWNTHEM ENT.  https://linktr.ee/CrownThem MAY RECOMMEND RELEASES | NEW MUSIC | NEW ALBUMS | 2024

Bbyafricka has been steadily building her sound since 2018 (and quite possibly before then too.) Her early releases like Brain Damage (2018,) laid the foundation, while projects like BIGAFRICKA (2021) showcased her unique style. In 2021, she also dropped Freak of the Nile featuring a star-studded lineup with Lil Yachty, Hook, Quadie Diesel, ZelooperZ and others. She continued to experiment in 2022 with The Art of Geekin and most recently impressed with The Rapture. Bbyafricka first caught my ear in 2021 with her project BIGAFRICKA. Tracks like “POP IT” and “FREDDY KRUGER” showcased a unique style that rewards close listening. Bbyafricka’s flow is infectious, her delivery captivating and the production on her tracks is dissimilar to anything else out there. It’s a sound that’s both challenging and strangely beautiful, setting her apart from a deluge of derivatives. The Rapture feels like the next step in her artistic journey, and I can only imagine her fanbase and reputation continuing to grow. The Rapture offers a pleasant surprise and a deeper dive into her artistry. It’s always exciting to hear women enter genres/subgenres where men have historically dominated, adding their own unique flavor – not by imitation, but by creating music steeped in their own experiences, shaped by their land, culture, and the people around them. The Rapture is a strong testament to that. Notable tracks: “Baton Rouge” “Ain’t No Hoe” “Rx” Released: January 1, 2024 Region/City: Inglewood, CA WWW.CROWNTHEMENT.COM WORDS 'N DESIGN BY JAMEKA

WEEKLY RECOMMENDED RELEASE RADAR FOR HIP HOP / RAP MUSIC. Send an email to crownthement@gmail.com to inquire access to 100s of releases cataloged each week (not featured on this page.) Connect on other platforms with CROWNTHEM ENT.  https://linktr.ee/CrownThem APRIL RECOMMEND RELEASES | NEW MUSIC | NEW ALBUMS | 2024

Let's start with this last album, Neighborhood Diamonds. I want to know what your creative process was behind this one, because it seemed like you had to up some of your skills to get this one done? BRYCE: Yeah, 100%. It actually started last year, well before quarantine hit. I was on the "Independence Tour," my self-funded tour, first tour, ever. I had a 5 city tour going on, then the final stop was supposed to be my birthday, March 13th in L.A. [That] was supposed to be that last one. That was the height of the COVID stuff, height of all the chaos/uncertainty, and that's when my show was supposed to happen. After that got cancelled, it was like a couple of weeks or so just figuring out "what is next?" I started creatively just trying to find different stuff. It started with just tuning into different Zoom lives about music business, stuff like that to just keep my brain occupied. Then, from there I kinda like for a month, I started just pickin' up a camera and kinda learning photography. For a month, just to learn it, taking different kinds of pictures and understand how the camera works, all of that stuff. From there, having that confidence to learn led to me having the confidence to learn Pro Tools. Once I got into Pro Tools, it obviously led to me recording more and just to be more creative. Express myself. After I started doing that, I had producers that were sending me beats, and honestly, that's how it all started. I took that approach, and after a couple months of me recording I was like, "okay, I'm going to make a project," Neighborhood Diamonds. I was in the process of branding that more thoroughly. I thought it was only right to call the project this. It kinda just spiraled from there. Did you take them pictures of the various people that were part of your project? (referring to his info graphics that he posted on social media.) BRYCE: No, so those pictures that you saw from that, was pictures that they already had and sent 'em to me. I posted some of the stuff earlier in the year that I took pictures of, cuz’ really I was just takin' pictures of stuff in my neighborhood, stuff in my apartment. Like nothing of any real directing just kinda learnin' how the camera works, that's really it. Tryna get the best picture. I didn't really post anything, it just helped me learn and experience how photography works. I feel that, kinda keepin' a grip of all the circuits of runnin' your own personal thing. BRYCE: It's like you said, and it was quarantine. It kinda just added another layer of independence for me. Being able to control as much of my art and the creative process as possible. That confidence from photography spilled over into the music and learnin' how to record and mix myself. So, I feel like that just gave me another level of freedom. That's dope, do you think you'll continue mixin' your stuff from here on out? BRYCE: Absolutely, absolutely. I still wanna go record with the people I normally record with because sometimes it's better to not be hands on with that part of it, just because I like to get an outside perspective. In terms of me being able to not wait for anybody, I have ideas. And knowing I can record it and if I really want to , mix it and put it out - I'mma continue to get better with that. It's everything for me. At some point, as I learn more, I want to get to [a] point where I don't gotta record with anybody. Just myself, I can do it myself. That's the goal, for real. I been thinkin' bout that a lot and what I'm doing with CROWNTHEM. I want it to be a print magazine so I'm out here tryna figure out how I can print, bind and ship it myself. And truly, that's what I wanted to talk about next - your rebrand. Watching you rebrand has been inspirational as fuck. Your rebrand started about 2017 or somethin'? BRYCE: Spot on, it was right when I moved from Oakland to L.A., 2017. What was the motivation and purpose behind your rebrand? BRYCE: It really was that moment when I took that leap of faith to move to L.A. I knew it was time for a whole transition. I kinda lived my life in a way where I broke it down by chapters and me moving to L.A. was a start to a whole new chapter. I just wanted to have a clean slate. As you noted, I was "Int'l Haysus" before I left. Then [when] I went to L.A. is when I did the rebrand of "BRYCE Savoy," my name, and who I am. I'm still growin' and learnin' myself, but that was the pinnacle of just me knowin' who I am fully and steppin' into that. That came the name change and from there it is so much easier. Previously, every year up until that point, it was always me tryin' to build this persona in a sense. You know, somethin' kinda outside of myself but it never panned out the way I wanted it to. Don't get me wrong, I had some good moments and learned a lot, but it wasn't until I went with my name that everything started to click. I found my purpose. We started "The Black Neighborhood" right around the same time. It was just a full circle moment, and I felt like the best way to kind of express that was to rebrand everything and say, "this is how I'm goin' to approach it from here on out, this is what people will know me as or know me for." So, just makin' that decision and takin' that leap of faith. It's been impressive to see, because there was a moment I couldn't find your previous music just because I couldn't remember what your name used to be. Your rebrand is strong and all the different avenues you're takin' with it; "The Black Neighborhood," "#ForeverOaklandFridays," scholarships for the students that are heading to college here soon… BRYCE: Yep, yep, so we still in the process of going into the final round here in the next few weeks, then we going to be givin' out 2 scholarships to incoming freshmen, HS seniors (now.) After putting 10,000 hours into this, I started doin' the music back in 2003. 18 years later you just learn and learn and learn, and then you finally get to a point where you figure it all out and just go from there. That's where I'm at now - knowing what I want to do, and knowing how to approach that. Really being adamant and disciplined about it. Your brand and music expresses all that for sure. It's real cool to see BRYCE. So movin' to L.A. has really helped you elevate in all those ways? BRYCE: 1000%. Just the simple fact of getting' away from my comfort zone, you know. Being from and growin' up in Oakland and The Bay Area, you can get complacent at a certain point just because your people here, you're comfortable, you know pretty much how to navigate and all these things. So, going to a place like L.A. that’s obviously a hub for entertainment allowed me to grow in a way that I wouldn't been able to if I stayed in Oakland. Just the simple fact that everybody is going out there to chase some kind of dream or whatever it is, because of that people are trying to network and connect. You may build with somebody, you might not. But the fact that you had the opportunity to do that, and everyone is just less than 1 degree of separation to getting' to where you want to be - it was just so important to me. Also, I have a lot of family out there. Like my father, he's been livin' out there for 20+ years. So, I knew even on a personal level, at some point, if I really want to grow and become that man that God created me to be, then I would have to be closer to him and move over there and spend time with him. All of those things came to me when I found my purpose, all of those things just made a lot more sense of what the next steps were to me. Bein' out there 3 years later, it's workin' out exactly how [I] envisioned it and even better. So good to hear, that's alignment bruh, for real. So, movin' out there, has your Hip Hop community changed? Are you able to connect your Hip Hop communities from Oakland to L.A.? BRYCE: Absolutely. It's grown, you know. 'Cause I'm from Oakland so there's people who is doin' the same thing I'm doin' that live in L.A. from Oakland, so I have that network. There's people from Howard, my alma mater that live out there, so I have that network. Then people I kinda knew growin' up in L.A. in the summers and for holidays with my pops, so I have people from there. Just merging all of those networks and they overlap each other, so there's synergy in that. I'm able to build all of those communities, all of those different networks into one community. That's really what it's all about for me - building community wherever I'm at. Los Angeles, 100% allows me to do that. It looks like you're trying to expand "The Black Neighborhood" to other cities too. BRYCE: That's the plan, at this point it's wherever our founding members are at. A couple of us live in The Bay Area, Los Angeles and a couple other members live in New York. It's all about trying to build a community for our people whatever city we're livin' in. I'm really tryin' to man that more and it's a little challenging, because I went out there with the intentions to just go balls to the wall with the music and I've been doin' that. So sometimes it can be hard to balance both TBN and the music, although they're intertwined in terms of community service. I'm going to do a better job this year. I have people who want to help, it's just a matter of putting everything together. I can't imagine, that's a lot of community work and individual work at the same time. Which, they do go hand in hand, but yeah it really sounds like you carrying on that Oakland tradition - really out here For The People, for real. BRYCE: For me, you can't have one without the other. I can't serve my community without the music, and I obviously can't do the music without doin' the community work. I look at it like it's what I was put on the Earth to do. Coming back and forth from Oakland to L.A. is definitely tiresome, but shit, it's what I asked for. I love it, honestly. It's been a blessing for me. Whatchu lookin' forward to in the new year? Whatchu got planned? BRYCE: For the first couple months of the year, it's just continuing to push this body of work, Neighborhood Diamonds project. Getting it in as many peoples’ ears, eyes, faces as possible. This is my first full length project. I'm just doin' all that I can to make sure I have as much content as possible. I'm gearin' up and rampin' up to be able to drop as much visual content, content in general related to the project. From there, I don't know, I have some stuff in the works related to the project, but the great thing about how my life always works creatively, is that I'll have a plan goin' into the year, but things change and I'm able to transition and pivot in real time. I'm lookin' forward to that. I'm always recordin' and workin' on things, but what is also important to me is timing and what feels right. What will happen next creatively, I have a lot of things lined up. Iit's just a matter of what makes the most sense timing wise. Well I appreciate that, because today it doesn't seem like many artists sit with just one project and get the most out of it. I'm excited to see, even just you droppin' those infographics about who was on the album - really elongating the process, again and being thorough to get the most out of it. It's very beneficial, not a lot of people are getting everything they can outta each project they drop. BRYCE: Right, and it's dope to hear you say that. And several people within the span of the last month or so have commended me on my rollout and how I go about marketing. I've always looked at myself as a major artist, you know, whatever that kinda means to you. I always studied the game and seen what they're doin' and do the same shit, honestly, but just add my own flavor or spin on it. Lookin' at these bigger artists, mainstream artists with actual major label budgets, it allows me to kind of be creative- and what that would look like for me?- that's the approach I take with everything. Okay, "what is being done, what can I do differently, and also, how can I expand on those ideas. I know everything that's going on with technology and our attention spans has shortened, and I tried to fight that for the longest, but even for myself I know how it is. It's kinda been my purpose with this project, people may have seen it for the last few months but it's about how I can recreate content, give new info, visuals, audio, whatever related to the project I know it's going to keep circling back. Continue to expand the lifespan of the project. Which could be a challenging thing, because the platforms we use need things to be succinct that it's even hard to expand sometimes. BRYCE: That’s a great point. That’s the challenge, and beauty of it -that’s what I live for. How can I say so much with saying the least amount of things. Saying less than necessary is what I love doing now. When I met you, you were working with MuzicZoo. Ever since then I don’t know what happened, you left/moved what was the transition like from there? So I left MuzicZoo because I was gettin’ into my final year of the Masters at Mills College. I just had to focus on that and working on sections of my memoir. After that I moved down to Atlanta and got tired of seeing all these journalism opportunities for different magazines and Hip Hop platforms, applying to them and not having the portfolio that matched my expertise. So, I went back to pull up my old articles from MuzicZoo and the site wasn’t there anymore. I tried reaching out to him, but I know he’s busy with his real estate business. At that point I was just like, “wow, I just need to create my own portfolio,” so I can apply to these positions that I want to be in, and that’s how I started CROWNTHEM. Down in Atlanta, unemployed as fuck, trying to figure out what to do. Really was just a twitter account. Then I came up here to Memphis and was like, “let me just try and put all this into PDF form, some type of Hip Hop directory.” I had a few people reach out to me after the last issue and ask if I would be interested in CROWNTHEM being it’s own section in a larger magazine but I’m not sure about that, I want it to be mine. I don’t mind building with people who are on my level and on a similar vision. BRYCE: I know what you’re sayin’. That goes back to the whole idea of being independent and psychology behind it. The idea of being able to take something you’ve created and make it a tangible thing that everyone can relate to or everybody can latch onto. That’s the artistic and creative freedom that we’re all striving for, whether we know it or not. So yeah, you been and it’s crazy because when I first saw, I didn’t know it was you until you DM’d me. I didn’t know who I thought it was but I was like, “oh shit, this is someone who is tapped in, because I see postin’ bout someone in Oakland, then I see you postin’ bout someone that I know from Howard and ATL, my boy Pac. [November issue front cover Pacman ADV) Ohhh, that’s how you know him? BRYCE: Yeah, we went to Howard together. Oh okay, that makes sense now. BRYCE: Yeah so when I saw that I was like shit – I feel like whoever it is, is really tapped in to these indie artists, and not the indie artist with major budgets, but indie artists really putting it in from a grassroots perspective. Those are the ones that are going to win, because it’s only a matter of time before we rise to the top. And you already will have the connection/relationship that you built with us on a ground level. I commend you on that, that’s beautiful and everything looks professional… you obviously know what you’re doing. From a pure, objective perspective, it looks great. I appreciate that for real. BRYCE: Shit, I appreciate you. I know we had to have met at least 4 years ago. Bruh, it was like 6, it was 2015 I’m pretty sure. BRYCE: Facts, it was definitely 6. And it’s funny because I’m looking at where I was as an artist 6 years ago, and I feel from that time ‘til now you saw somethin’ then I didn’t probably even see in myself. To see where we both at now, is beautiful. It’s cool as fuck. It’s kinda like full circle, it’s like a lap. BRYCE: It’s been a full lap. www.brycesavoy.com

WEEKLY RECOMMENDED RELEASE RADAR FOR HIP HOP / RAP MUSIC. Send an email to crownthement@gmail.com to inquire access to 100s of releases cataloged each week (not featured on this page.) Connect on other platforms with CROWNTHEM ENT.  https://linktr.ee/CrownThem

WEEKLY RECOMMENDED RELEASE RADAR FOR HIP HOP / RAP MUSIC. Send an email to crownthement@gmail.com to inquire access to 100s of releases cataloged each week (not featured on this page.) Connect on other platforms with CROWNTHEM ENT.  https://linktr.ee/CrownThem

2023 marked a special year for Hip Hop. Universally recognized as the 50th anniversary of this multifaceted culture, it encompassed not just a unique style of visual arts, fashion, and dance, but also one of the world's most popular music genres. It's no surprise, then, that a wide range of film and television offering were released to celebrate and capitalize on the occasion. Perhaps the strongest representation of this came in the form of documentaries, aiming to shed light on some of the culture's most influential creators. Additionally, we saw the return of one of televisions best shows, along with several compelling podcasts that explored niche corners of Hip Hop History. Here, we’ll take some time to highlight some of the best Hip Hop-based film and TV projects of 2023. FIGHT THE POWER: HOW HIP HOP CHANGED THE WORLD Chuck D of Public Enemy explores Hip Hop’s political awakening over the last 50 years. With a host of rap stars and cultural commentators, he tracks Hip Hop’s socially conscious roots. From "The Message" to "Fight The Power," examining how Hip Hop has become "the Black CNN." Chuck D kicked off 2023 with a powerful four-part documentary series aiming to provide a political history and analysis of Hip Hop’s beginnings and future trajectory. What's particularly interesting is Chuck D's focus on Hip Hop's political leanings and consciousness, present since its start in the 1970s and continuing to be a voice of protest for the marginalized during turbulent times. The series also delves into the challenges the genre faced as it became a larger cultural and commercial force. Joining Chuck D is a who’s who of Hip Hop personalities including the likes of Eminem, Ice T, Fat Joe, Sway, MC Lyte, Monie Love, Melle Mel, LL Cool J and more. DIRECTOR: Yemi Bamiro WHERE TO WATCH: PBS MAY THE LORD WATCH: THE LITTLE BROTHER STORY May the Lord Watch is the definitive story of Little Brother, the North Carolina rap group comprised of rappers Phonte, Big Pooh, and (formerly) producer 9th Wonder. The film follows the rise, breakup, and reunion of the preeminent 2000s rap group. However, the heart of the documentary lies in the evolving relationship between members Phonte and Big Pooh. This bond began at Durham's HBCU, North Carolina Central University, strained during their parallel growth in the music industry, and ultimately resolved with an enduring friendship as the two reunited to create their 2019 album, May the Lord Watch. Using archival and interview footage, Little Brother (comprising Big Pooh and Phonte, with 9th Wonder formerly a member) has assembled a work that relays the definitive version of the group’s story. Viewers gain unique insights from their humble beginnings to their rise as one of the most acclaimed and beloved groups of the early 2000s. While founding member and original producer 9th Wonder is absent from the documentary for undisclosed reasons, the true cause of the rift remains unclear. Big Pooh and Phonte suggest some factors, including inflated egos and emotional immaturity, but ultimately acknowledge that it might be a private matter. Perhaps it’s just none of our business. Despite the ambiguity, May The Lord Watch: The Little Brother Story remains an inspirational and invigorating presentation. Its release directly on the Little Brother YouTube channel perfectly aligns with these artists' self-made spirit. DIRECTOR: Holland Randolph Gallagher WHERE TO WATCH: YouTube DEAR MAMA: THE SAGA OF AFENI & TUPAC SHAKUR A deeply personal five-part series, Dear Mama, defies the conventions of traditional documentary storytelling. It shares an illuminating saga of mother and son, Afeni and Tupac Shakur. The series takes an unique approach in handling its subjects. Throughout the five parts, Allen Hughes of the Hughes Brothers tells the stories of Tupac and his mother Afeni Shakur thorugh the interviews with them, their closest friends, and family. Tupac’s story has been told so many times, it’s hard to imagine myself watching yet another thing on Tupac and learning something new. However, Dear Mama more than makes a case for itself. The best idea is to tell their stories side by side. For me, the Afeni Shakur side was incredibly powerful. It informs us about her life and provides a reference point for Tupac's character and motivations. As for the Tupac we know as a pro-Black revolutionary, that was largely influenced by his mama and the Black Power movement that surrounded them. Sadly, both Afeni and Tupac are no longer here to speak for themselves. However, we gain valuable accounts and analysis from friends, family, politicians, and artists like Shock G, Mike Tyson and Jasmine Guy. The result is a poignant and powerful series that sheds light on the lives of two people who directly and indirectly impacted so many lives to this day. This one is a must watch! DIRECTOR: Allen Hughes WHERE TO WATCH: FX Networks LADIES FIRST: A HISTORY OF WOMEN IN HIP HOP Ladies First: A Story of Women in Hip Hop is a Netflix documentary that highlights the often-overlooked contributions and challenges faced by women artist in Hip Hop. Through insightful interviews with the women themselves and incisive social commentary from industry insiders, the film provides a powerful exploration of the role and impact of women in this influential genre. Netflix delivered one of the most well-made documentary series on Hip Hop in 2023 with Ladies First: A Story Of Women In Hip Hop. This series takes us on a journey, starting with Sha-Rock, the first woman MC, and continuing all the way through to present-day stars like Rapsody, Kash Doll, and Tierra Wack. The structure is commendable, taking the time to highlight significant moments from different eras such as MC Lyte's debut as the first woman to release a full length Hip Hop album and Sista Souljah’s battle with Bill Clinton in the early 90s. While men still greatly outnumber women artists in Hip Hop, this documentary does an excellent job of reminding viewers that women have been there from the beginning, offering significant contributions to both the music and the culture that continue to this day. DIRECTORS: Hannah Beachler, Dream Hampton, Raeshem Nijhon, Giselle Bailey, Carri Twigg WHERE TO WATCH: Netflix ALL UP IN THE BIZ Celebrity interviews and rare archival footage provide valuable insight into the life and legacy of hip-hop icon Biz Markie. All Up In The Biz, the latest film from documentary specialist Sacha Jenkins (Wu Tang Clan: Of Mics And Men, Fresh Dressed,) chronicles the life and times of hip-hop legend Biz Markie, who tragically passed away in 2021 from complications related to diabetes. Through a combination of past and present interviews, photos, and his music, the film meticulously details how important Biz Markie was to the world. Rap icons like Rakim, and Big Daddy Kane appear in the film, highlighting his pivotal role in their discovery and careers. Firsthand accounts from Dapper Dan, Doug E. Fresh, DMC, and Fat Joe further paint a full picture of Biz Markie's influence and the love he inspired. The film features wraparound reenactments featuring a Crank Yankers-styles puppet of Biz Markie in a hospital during his final months. While jarring at first, these scenes eventually resonate as Sacha Jenkins brilliantly captures Biz's warmth and spirit thought this unconventional medium. These reenactments provide a few more precious moments with a remarkable man who lived a beautiful life. DIRECTORS: Sacha Jenkins WHERE TO WATCH: Showtime | Paramount+ | Amazon THE CHOICE IS YOURS A story of rapper and artist Dres, part of the iconic 90's hip hop duo Black Sheep, chronicles his amazing journey from the top of the game to facing the challenges of civilian life and pursing his last chance at creative success. This documentary traces the rise of Hip Hop duo Dres and Mista Lawnge, collectively known as Black Sheep. What makes it interesting is its focus on Dres in the present day. Despite his enduring love and respect within the industry, his creative spirit years for more. He grapples with anormal life while harboring the urge to take one last artistic shot, especially as Black Sheep has faded from the limelight. Additionally, the film explores his years-long estrangement from Mista Lawnge after a failed attempt at a third Black Sheep album. Another compelling layer comes in Dres' personal quest to seek approval from the late J Dilla's mother to utilize some of his unreleased compositions for a new album. The film's deliberate pacing, bordering on a Dres' reality show at times, allows viewers to connect with him on a more personal level. This approach makes it understandable why peers like Posdnous, Jarobi and Mareen Yancey readily share stories and shower praise on him and Black Sheep. Ultimately, The Choice Is Yours offers a heartfelt exploration of history, legacy, longevity, purpose, and aging within the world of Hip Hop. DIRECTOR: Clark Slater WHERE TO WATCH: Paramount+ CYPHER Tierra Whack rose to fame rapping on a Pennsylvania street for a YouTube channel. Years later, while documenting her astronomical rise, questions arise about who is filming whom and whether being seen is a desirable and unavoidable part of fame. Cypher is a mockumentary-style film that aims to chronicle Tierra Whack's rise while casting a cautious lens on the entertainment industry and fame itself. It’s a unique blend of traditional serious documentary and fictional, found-footage horror/suspense narrative, aiming to satirize entertainment conspiracy theorist and their claims. This experimental approach mostly works, successfully showcasing the talented Tierra Whack while creating a spooky and voyeuristic atmosphere. DIRECTOR: Chris Moukarble WHERE TO WATCH: Hulu WU-TANG: AN AMERICAN SAGA SEASON 3 Following six months after the season two finale, we find RZA and the Wu-Tang Clan settled in a New Jersey mansion, far from the streets of Staten Island. Despite their recent album's massive success, Enter The Wu-Tang (36 Chambers), they're nowhere near finished. Season 3 of Wu-Tang: An American Saga sees the clan at its peak. Their debut album is a commercial and critical triumph, and most members have secured lucrative solo deals. As a viewer, the season was bittersweet. Watching the series come to life and showcase the potential of Hip Hop-based TV was exhilarating, but knowing it's over with so much more to tell about the Wu-Tang Clan was saddening. It wasn't a perfect ending, with some allegorical episodes about solo projects being more successful than others. Ultimately, though, I believe most appreciated the creative risk regardless of the outcome. Wu-Tang: An American Saga stands as a milestone for Hip Hop in other mediums, opening the door for similar shows based on real-life Hip Hop history. A biographical series about A Tribe Called Quest or Queen Latifah would be incredible. The door is open, and I don't see it closing anytime soon. DIRECTORS: Mario Van Peebles, Nefertite Nguvu, RZA, Matthew Ross, Janice Cooke, Eif Rivera WHERE TO WATCH: Hulu RAP SH!T SEASON 2 In the second season of Rap Sh!t, Shawna, Mia, and Chastity, continue their journey toward Hip Hop success as a group. However, their rising success is threatened when situations in their personal lives, and industry pressures threaten to derail them. Rap Sh!t returned for a second season, retaining the fun, drama, and exceptional production value that captivated audiences in its first outing. Our main trio embarks on a tour, navigating industry politics, financial hardships, and personal difficulties. This season builds upon the show's foundation, deepening our connection to the characters. The series' social media-infused presentation effectively creates a setting that mirrors our own time. It offers insightful commentary on social media, mental health, relationships, business, para social relationships with celebrities, morality, and crime, making it some of the best writing currently on television. despite packing impressive depth int its 30-mnute episodes, the show never feels overwhelming. Unfortunately, HBO Max canceled the series, leaving its cliffhanger ending unresolved. While some attribute this to the SAG-AFTRA strike and lack of promotion, viewership might not have been strong enough even prior to those factors. Perhaps it didn't spark the same level of discourse as Issa Rae's other project, Insecure. Regardless of the reasons, I highly recommend watching the series despite the lack of closure, as HBO Max can still choose to the remove the episodes at any time. Overall, Rap Sh!t remains a highlight of 2023 television and represents a significant contribution to the world of Hip Hop / Rap. DIRECTORS: Ava Berkofsky, Lawrence Lamont, Ami Aniobi, Calmatic WHERE TO WATCH: Max | HBO HIP HOP TREASURES Hip Hop Treasures, a captivating documentary series hosted by LL Cool J and Ice-T, delves into the cultural phenomenon of Hip Hop. The show follows a team of field collectors and museum curators on a nationwide quest to gather artifacts for the upcoming Universal Hip Hop Museum (UHHM) in the Bronx, New York, slated to open in 2024. Limited to a single season, this series explores Hip Hop history with the goal of curating the UHHM located in its birthplace, the Bronx. Throughout the season, field curators like DJ Cipha Sounds travel the country, acquiring artifacts that will eventually be displayed in the museum. The "magic" truly happens when the curators meet the artifact owners, not only securing the items but also learning and sharing their rich histories. Witnessing Biz Markie's wife, Tara Hall, discussing her husband and revealing the rhyme book containing the iconic "Just a Friend" is heartwarming. Similarly, watching Yo Yo's charismatic persuasion in acquiring Coolio's prized lowrider bike for the museum brings a smile. The A&E-style presentation, complete with engaging editing and music between segments, evokes a feeling akin to a Hip Hop version of Pawn Stars. Overall, Hip Hop Treasures represents a valuable expansion of the types of TV content exploring Hip Hop culture. DIRECTORS: Pulse Films, Rock The Bells WHERE TO WATCH: A&E In conclusion, 2023 was a solid year but it could have been better considering it was the year where the “Hip Hop 50” branding was everywhere. Ultimately it’s up to the culture to tell it’s own stories via film and TV. Looking for corporations and media conglomerates to do it just doesn’t work because you can’t rely on consistent support unless it’s something in it for them. As far as what we can expect in 2024 it’s mostly up in the air, but there are some Hip Hop offerings to watch immediately out the gate such as Peacock’s Kings From Queens: The Run DMC Story, and Netflix’s Champion. Stay on the look out for reviews of these and any upcoming Hip Hop films and series we think are worth watching. WORDS BY MONK https://linktr.ee/monkeyblood | https://linktr.ee/2for5hiphop

WEEKLY RECOMMENDED RELEASE RADAR FOR HIP HOP / RAP MUSIC. Subscribe to the website or send an email to crownthement@gmail.com to sift through 100s of releases cataloged each week (not featured on this page.) RESEARCH CURATION 'N DESIGN BY JAMEKA

Below you’ll find a selection of hip-hop projects from the first quarter of 2023 that sparked my personal engagement with the genre on various levels. These works transcended mere enjoyment, prompting me to re-evaluate my own artistic interpretations and grapple with broader social and cultural themes. The featured projects hail from diverse geographical perspectives, encompassing the lyrical prowess of New York artists like donSMITH, Leeky Bandz, and Malz Monday, the soulful inflections of New Orleans through Ferris Blusa, Hxndrx, and Lil Iceberg, the sun-drenched realities of Californian artists Mani Draper and ICECOLDBISHOP, the smooth rhymes of Georgia's Silky Southern, and the introspective lyricism of North Carolina's Sincere Hunte. This exploration is grounded in appreciation rather than critical analysis. It acknowledges the multifaceted nature of artistic appreciation, which extends beyond the confines of verbal discourse. The projects' potency manifests not only through lyrical articulation but also through their capacity to evoke movement, inspire creative expression, and stimulate self-reflection. Ultimately, these works contribute to the ongoing cultural discourse surrounding Hip Hop / Rap, challenging the superficiality of "perceived timelines" and the rapid churn of media trends. They invite us to engage with music as a dynamic force, asking not how many "good" songs a project contains but rather how it makes us move, think, and feel. Does it trigger introspective inquiries into our own artistic practices? Does it resonate with broader societal currents? By fostering such contemplation, these projects propel us beyond the limitations of fleeting trends and engage us in a meaningful dialog with the genre itself. While the projects highlighted below represent a curated selection, the accompanying playlists, Q! - ‘23 and CROWN VIEWS 002, offer an additional comprehensive panorama of Q1's rich tapestry of Hip Hop / Rap sounds. I encourage you to delve into these playlists and discover your own sonic treasures within this ever-evolving art form. Q! - ‘23 - Spotify playlist with 140 songs highlighted from the first quarter of 2023. https://open.spotify.com/playlist/1jWt3dAnzieARRPtQbUbTy?si=d59bde0981fb4e72 CROWN VIEWS 002 - consists of about 100 music videos from the first quarter of 2023. The visual playlist is compiled of an array of videos from various artists, directors, producers, etc in different regions, sub-genres of Hip Hop / Rap. https://www.youtube.com/playlist?list=PLBYGFutPdmTkNYDWDDFDMLv8HMjybnZ3f FULL EDITORIAL: https://www.crownthement.com/post/crown-views-002 33 Mani Draper x Steven King Mani Draper's music is a constant ascent, each release building on the last while hinting at new artistic peaks. This is especially true for 33; here his mastery of wordplay seamlessly blends poetry and Hip Hop, creating a soundscape that's both introspective and infectious. 33, is a guidebook for finding balance and embracing personal growth. Motivational snippets weave through tracks, with themes of self-alignment, evolution, and appreciating one's blessings. 33 radiates positive energy and gratitude, a testament to Mani's own journey and source or inspiration for listeners. Fellow Bay Area artists C Plus and Iamsu! add their own verses to the mix, their styles effortlessly complementing Mani's flow. Track's like "WWND" and others shimmer with luxurious soul and carefully chosen lyrics. It's a celebration of hustle and independence, urging listener to chase their dreams on their own terms. 33 is a rich tapestry of love, confidence, vulnerability, and raw Hip Hop / Rap. An audio experience where introspection meets celebration, and where self-discovery guides the way. City/State: Richmond, CA Released: March 3rd, 2023 See Also: Every Blue Moon by Mani Draper x Kevin Allen, Communion: Book 2 by Mani Draper, Coordinates (Deluxe) by Brookfield Duece + Flowers by Passwurdz No More Free Game donSMITH x Leeky Bandz donSMITH and Leeky Bandz latest project, No More Free Game, is an immersive experience that transcends mere music. It's woven from lyrics, hooks, melodies, and a soundscape that makes you feel like you're privy to some of the flyest contemporary Hip Hop / Rap being made. The album's title hangs heavy in the air, prompting introspection as it intersects with the content. Interwoven clips of Meta World Peace add another layer of intrigue, his words briefly touching on various topics, creating the illusion that donSMITH and Leeky Bandz are in direct conversation with him - this metaphorical connection adds depth and complexity. Throughout, a delicate balance of energies reigns. Gratitude and bravado dance, generosity and boundaries coexist. donSMITH and Leeky Bandz' distinct vocal textures and deliveries complement each other, each adding their unique perspective to the album's overarching themes, even when their stories differ. No More Free Game is more than a collection of tracks; it's an allegorical journey, a sonic exploration of identity, growth, and intricacies of navigating the world. An album that rewards repeated listens, unveiling new layers of meaning with each spin. City/State: Harlem, NY Released: March 10th, 2023 See Also: In Loving Memory by donSMITH (2022,) The Album Of JOB (Deluxe) by Leeky Bandz + LET ME SPEAK by Leeky Bandz Keys Open Doors Keaze x World Be Free There's something special about Keaze and World Be Free's collaboration, Keys Open Doors. It's an album that lingers, drawing you back even months after your first listen. It's a conscious journey, packed with thought-provoking content and beautiful production. The intro itself, "Reintroductions" throws down the gauntlet with a powerful KRS-One clip - reminding us that knowledge comes from lived experience, not just textbooks. It's a call to action for both the artists and listeners, urging us to walk the walk before we talk to the talk. Similar gems are scattered throughout the album. On "Numbers Man," Nipsey Hussle speaks wisdom about investing and building something lasting - echoing the album's message of responsible action over fleeting materialism. Beyond these impactful interludes, Keaze and World Be Free create a rich variety of sounds and themes. Authentic lyrics tackle vital topics like community building, guiding youth, and celebrating the beauty in Blackness. Keys Open Doors resonates on multiple levels - it's a hopeful vision of unlocking possibilities with acknowledgement of the complexities of true freedom. City/State: NY Released: January 5th, 2023 See Also: From Niggas To Gods, Pt. 2 by World Be Free Look Both Ways  Malz Monday Malz Monday's music walks a familiar path - one shadowed by a melancholic haze. Not a crashing darkness rather a gentle mist born from weathered experiences. This introspective energy infuses, Look Both Ways, where Malz masterfully paints the universal struggles of the human condition. Beneath the surface of this pensive soundscape, flickers of light emerge. His lyrics visit valleys of hardship, ultimately reaching plateaus of peace and acceptance. Additionally, released January '23, the album resonated with the mood of the winter season. Look Both Ways meets listeners in the midst of reflection, amidst memories, anxieties, and desires for change. The music embraces this solemn atmosphere, while the lyrics offer solace and strength, finding the lessons and gratitude simultaneously. Look Both Ways serves as a poignant message; a call to awareness, a reminder to navigate life's challenges with caution and purpose - ultimately - to keep moving forward and embrace whatever lies ahead and beyond. City/State: Ossining, NY Released: February 20th, 2023 See Also: Where There's Smoke by Malz Monday GENERATIONAL CURSE ICECOLDBISHOP ICECOLDBISHOP's debut album, GENERATIONAL CURSE, doesn't shy away from the rawness that once defined "gangsta rap." It channels the spirit of those who laid the tracks; unapologetically presenting real-life struggles and contradictions with an aim to spark change or thought. GENERATIONAL CURSE is not a throwback; it's a contemporary evolution that infuses classic West Coast Hip Hop / Rap with ICECOLDBISHOP's own creative fire. The album pulsates with the energy of Los Angeles, both it's beauty and harsh realities. The soundscapes, lyrics, and vernacular all pay homage to the legends who came before, yet reshaped with a modern edge. Each track evokes questions and stirs emotions. Who else crafts music with such raw texture and potent velocity? GENERATIONAL CURSE is a statement, a challenge, and an example of the enduring power of West Coast Hip Hop / Rap. City/State: South Central L.A., CA Released: March 24th, 2023 City Blues Lil Iceberg City Blues grabs attention instantly with it's vibrant artwork. The colored pencil and marker scene of bustling New Orleans - two-stories, balconies, palms against the sky, gators and diamonds - is a stunning prelude to the music within... although, the true marvel of City Blues lies in Lil Iceberg's unmistakable artistic identity. His influences, namely No Limit Records, Hot Boys and New Orleans bounce, are evident but not simply mimicked. Lil Iceberg channels their energy and spirit, crafting a sound distinctly his own. He's not just influenced; he's a descendant, carrying their legacy forward with a present-day twist. The infectious beats urge you to move and get lost in the moment. And while not everyone enjoys some of the realities in raps, Lil Iceberg delivers his stories and reality in ways that are almost impossible to resist. The production plays a key role, driving the energy even higher. City Blues is a captivating journey with an infectious soundscape, distinct voice and clear connection to his musical heritage make Lil Iceberg an artist to keep your eyes - and ears - on. City/State: New Orleans, LA Released: March 24th, 2023 ROADMAN Sincere Hunte “I have found both freedom and safety in my madness; the freedom of loneliness and the safety from being understood, for those who understand us enslave something in us.” - Kahlil Gibran, The Madman Sincere Hunte reads / recites at the end of “ROCHAMBEAU” It’s an interesting album that caught my attention because there are so many aspects of it that were like charting uncharted waters. It was illuminating in the sense that it goes from an underground/punk feel that meets Hip Hop in the South to moments of dance like, “CARRIED AWAY (4U).” It works well for Sincere Hunte because the various fusion of sounds absolves any soundscape expectations. Even with, “DJ GIRL” it starts off sounding like a song that is almost a modern Beach Boys track with a feature from $avy. There’s a lot sonically to keep the listener entertained and wanting to know more about the artistry and the mind that created this body of work. FULL REVIEW City/State: NC / TN Released: February 17th, 2023 The Son's Shine Silky Southern Caught my attention initially off the album art; a young, brace-faced, 3rd eye beamin’, elated eyes, tendrils of hair falling into face and distorted trees in the background. Embodiment of a Sun ray, a son from the Sun + this is how he shines. The Son’s Shine, a somewhat alteration of Black Boy Joy. Part of the brigade of Southern acts that are highlighting / paying homage to traditional Hip Hop with sometimes an acquired evolution of seasoning. Playful delivery and production that often still align with a traditional Hip Hop influence. Feels like a sunny spring day. Pollen, bird, worms, mosquitos, humidity, tall trees. Down to Earth, vulnerable and real while still fun. It’s a good balance of content, sounds ‘n flows. Could’ve been created in some dark moments — there are places within The Son’s Shine that feel more like manifestations in order to motivate oneself to continue on their path. At the heart of it, The Son's Shine is a celebration of life that also acknowledges life's complexities. City/State: GA Released: January 9th, 2023 See Also: Strange Places by Wulf Morpheus, JOINTS by MARCO PLUS x The Smokers Club, Mr. Smo by SMO 2nd Kings Hxndrx We been blessed another day so what you conquerin’ ? / I’m out here rockin’ that’s for real, so what you rockin’ with / I’m really stylin’ in the field / Out here movin’ spiritual and confident - I wrote this for the conquerin” 2nd Kings serves as a reminder of the expression of one’s Soul and Spiritual nature that represents light and can still grab Hip Hop / Rap by the reigns. Every word is a nutrient and every song is nourishment. There’s not any bragging or making the listener feel as though they’re less than because they don’t quite have the same life, amenities and resources as the artist they’re listening to. This is for the people, the spiritually minded and guided or those who seek to be in alignment with those frequencies and vulnerabilities. FULL REVIEW City/State: New Orleans, LA Released: March 2nd, 2023 See Also: An Appointed Time by Hxndrx I Hope This Finds You Well Ferris Blusa This album found me in a time where a good group of underground and independent Hip Hop just wasn't hittin' for me like I wanted it to. Everyone was talkin' about similar things, supposedly living similar lives, having the same artwork and very similar production/soundscape. I Hope This Finds You Well, shines bright, proving that exceptional Hip Hop thrives in the South. Gone are the tired stereotypes; this album delivers raw talent and lyrical artistry without subscribing to the typical tropes of modern rap. While grounded in his New Orleans roots, I Hope This Finds You Well transcends regional boundaries. The album's strength lies is Blusa' artistry; his deliberate pace, thoughtful bar setup, and disregard for fleeting trends paint a picture of a confident artist in his own lane. Each track feels intentional, avoiding overhyped aesthetics and lyrical cliches. Raw emotion, clever wordplay and genuine storytelling are sure to resonate with those who find value in those aspects of Hip Hop / Rap. City/State: New Orleans, LA Released: March 24th, 2023 See Also: Forever Is Not For Everybody by Ferris Blusa ADDITIONAL RECS I Wish You Well by WayneFowler DOGZTON TO HOOTYORK by BoriRock Church Ain’t Safe by Shootergang Kony Flowers Before The Grave by Huey Briss x Walt Mansa Bride of Bucky by D’Barbie x E MOZZY FEAR by Swooty Mac Last Night in Houston by Wes Denzel Moonrock & Mimosas by Goldie Rebel Pain In Full by Gaine$ DIMENSIONS N DEMOS by Ron Obasi GONE 4 THE WINTER by DXPE Madden by Dan Nicholson Experienced by Regular Repty Born in it (Really) by Chippass FIVE FINGER DISCOUNT EP by Mackbo Dead Poets by Eto x Futurewave F.I.R.E. by Starz Coleman x godBLESSbeatz Tag Team Championships by Ryan Milla Family Business by Organized Krime MEDIA by LOKIHASDIED 21 Gun Salute by Lil 2 Dow In The Meantime by Will Hill WHO I AM by Wu Me Against Them by Young Drummer Boy As It Is In Heaven by FUNERAL Ant Bell x DeevoDaGenius Thug Child by Young Jr Back on Dexter: A Gangsta Grillz Mixtape by Kash Doll x DJ Drama Mourning Due by Nappy Nina LET’S DO A DRILL 2 by Asian Doll DIY by Bocha x Corey G The Price Jus Went Up by 2 Eleven FOD Presents J Money: Baby Money by J Money Even God Has A Sense Of Humor by Maxo Flygirl Era by Kemarilyn Chanel DNT TALE by DNTWATCHTV Abolished Uncertainties by Jae Skeese Ways of Knowing by Navy Blue x Budgie FREE FOOD PROGRAM by AJ McQueen Evolution Of Existence: Love & Power by Brandon Isaac Bear Vs Pitbulls by Starz Coleman FOR ACCESS TO ALL RELEASES FROM QUARTER 1 - 2023 email: crownthement@gmail.com WORDS CURATION 'N DESIGN BY JAMEKA S/O ALL THE ARTISTS WHO MADE THE LIST, DIDN'T MAKE THE LIST, ETC, THANK YOU FOR BEING COURAGEIOUS WITH YOUR HE(ART.)